Soltesz’s interpretations of Strauss for high praise, adding, “He understood the idea of orchestra accompanying, and understood the idea of the architecture of an act - or a three-act opera. And it was one of several throughout Germany that he and Mr. Soltesz had previously led other revivals of the production. Kosky’s 2010 production of Strauss’s rarely performed “The Silent Woman,” as part of the Bavarian State Opera’s summer festival.
Dorny added, using the German word for servant. “He was the perfect diener for the art form,” Mr. Soltesz since the 1990s when he ran the Festival of Flanders, said on Saturday. Dorny, a Belgian impresario who said he had known Mr. “He was a very fine, refined musician, and music, you know, was first. Soltesz is survived by his wife, Michaela Selinger, a mezzo soprano. Soltesz also led performances throughout Asia, and in 1992, he made his United States debut with the National Opera with a performance of Verdi’s “Otello” at the Kennedy Center in Washington. Kosky was speaking from Salzburg, Austria, where he was rehearsing a new production of Janacek’s “Kat’a Kabanova” that he is directing next month at the Salzburg Festival.ĭuring his career, Mr. Soltesz on four productions at the Aalto Theater in the early 2000s, said on Saturday after learning of Mr. “He took this Central German theater in Essen and he turned it, in 17 years, into one of the best ensemble houses in Europe, and he turned the Essen Philharmonic into an absolute A-grade orchestra,” the Australian opera director Barrie Kosky, who collaborated with Mr. Most recently in Munich, in 1989, the Italian conductor Giuseppe Patanè collapsed at age 57 during Rossini’s “The Barber of Seville” and died hours later at a hospital.Īt Berlin’s Deutsche Opera in 2001, Giuseppe Sinopoli, 54, an intensely physical maestro, had a heart attack while conducting Verdi’s “Aida.” He died at a hospital hours later. In 1911, the Austrian conductor Felix Mottl collapsed at age 56 during his 100th performance of Wagner’s “Tristan und Isolde” and died 11 days later the German maestro Joseph Keilberth died at age 60 at the podium in 1968 during a performance of the same work. Soltesz is the fourth conductor to collapse midperformance at the National Theater, the Bavarian State Opera’s main venue, since the early 1900s. “I lose a good friend.”ĭeaths at the podium are rare, but Mr. “We are losing a gifted conductor,” he wrote. Shortly before 11 p.m., the state opera’s general manager, Serge Dorny, used Twitter to announce Mr. Wiegand reappeared onstage to announce that the remainder of the performance would be canceled. The accompanist works closely with the music directors during rehearsals and performances that may occur outside of the regular school day assisting with related. Once the audience filed back into the auditorium at the end of the break, Mr. JOB SUMMARY: The position of the District Piano Accompanist is to provide support to the music instructional program through accompaniment, on piano and other keyboard instruments.
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